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  1. Hints for Self Culture?
  2. Relative Chronology in Early Greek Epic Poetry.
  3. Angry Desire (Mills & Boon Vintage 90s Modern).
  4. Renaissance Woman: Collected Art and Poetry of Erin Lale by Erin Lale.

In my mind, I visualize the scenes and character interactions just like watching a movie. But the characters are the ones who carry the story. My muse teased me into a series. I had no choice but to write them down. This should be available in paperback this summer. Drawing is April 2 nd. Details at my blog. Thanks, Marcie!

Leonard D. Hilley II. Thank you to everyone who entered the giveaways. I will email the winners to give you instructions on how to claim your prize. Please be sure to check your spam. Idris - A signed arc of The Forest of Adventure. This week's inspiration comes from my mom. She called me late one afternoon this last week and asked if the UPS man had been by. I was curious as to her question because well it was an odd question for her to ask. She told me to keep an eye out for him because it was very possible that he might be stopping by. I pressed her for more answers but the only information she would reveal was that it was one of my guilty pleasures.

My mind when into overdrive trying to think what it could possible be. You see I have many guilty pleasures. It could have been anything from chocolate, coffee and of course the obvious books. It could have been anything sparkly or shiny. So from the moment she hung up the phone I became a bit of a stalker to our UPS man. Honestly I think he's used to it by now. When the box arrived I ripped it open to find a dvd of Downton Abbey. For those who may not know, it's a period drama that aired on PBS a few months ago.

You can check it out here. I really enjoyed watching it and now I can do so over and over again! So now that leads me to this week's question:. What are your guilty pleasures? Just for the record, I really don't feel guilty for liking any of the stuff I like. The novel opens after the central event, in an Essex detention centre, where Little Bee has spent two years as an asylum seeker after having escaped Nigeria on a tea ship. When she is accidentally released and contacts the O'Rourkes, disaster and turmoil ensue. Three of the four novelists short-listed for the Costa First Novel Award were themselves immigrants.

Nikita Lalwani brought her experiences of conflicting values and cultures to her novel Gifted , about a young math prodigy torn between the ambitions held for her by her father, traditional Indian expectations for girls, and the pressures typically faced by British adolescents. Bangladesh-born Tahmima Anam's A Golden Age dealt with the effects of civil war in Pakistan on a woman and her family. Sri Lanka-born Roma Tearne's Mosquito was about a year-old novelist returning to his native Sri Lanka after the death of his wife in London. The widower falls for a year-old Singhalese girl, but their love is disrupted by civil war and its attendant bestiality, torture, suicide bombers, and despair.

Tearne followed this with Bone China. Part Sri Lankan family saga, part migrant's tale, it carried themes of displacement, loss, and the tragedy of violence back home. Immigration enriched English literature in the realm of poetry as well. The winner of the Forward Prize for Poetry, Mick Imlah, by contrast, borrowed more from the Victorian era than from Britain's new lexicons. The U. Aravind Adiga's epistolary novel The White Tiger gives the reader a glimpse into the mind and life of a tea-shop boy turned entrepreneur. In contrast to the recent spate of colourful books on middle-class India, The White Tiger made little mention of saffron and saris.

Nor did it grapple with familiar themes of colonialism. Adiga, a first-time novelist, beat the seasoned Indian novelist Amitav Ghosh, whose Sea of Poppies was also short-listed. Meanwhile, Salman Rushdie's classic about pre- and postpartition India, Midnight 's Children , was voted the Best of the Booker as the award celebrated its 40th anniversary. The year was also one of attention-grabbing debuts. Ross Raisin astonished reviewers with his creation of a new fictional voice in God 's Own Country.

The novel's narrator, a teenage country misfit who becomes obsessed with a girl newly arrived from the city, elicited comparisons to the hero of J. Salinger's classic, The Catcher in the Rye. Equally talked about, but less successful, was Richard T. Kelly's state-of-the-nation novel Crusaders , about a cleric in Newcastle.

Inspired by classic Russian writers, it received wide attention as an ambitious debut that ultimately failed. Reviewers noted that its 19th-century style and format were unsuitable for conveying the postmodern fragmentation suffered by its characters. Predictably enough, given the rehearsal of arguments for and against the Orange Prize in recent years, debate about the women-only literary award intensified.

Novelist Tim Lott argued that the award bolstered sales of women's novels in a market that already favoured female writers. Byatt told the The Times London that it was sexist and that she forbade her publishers to submit her novels to the award for consideration. The academic John Sutherland claimed that it ghettoized women's literature.

Organizers of the prize responded by emphasizing its international scope and usefulness in seeking out and promoting good literature. Strangely, the winner of the Costa Book of the Year award, A. Kennedy, was absent from the Orange Prize short list. Only this time he is an extra in a war film. Using internal monologue and switching from first to second person, Kennedy explores both his troubled childhood and his decision to return to a fictional version of the war that has destroyed him.

Jones's well-received debut was short-listed for the Orange Prize. These were more successful examples of a prevalent trend in U. As in fiction, in the genres of history and biography, World War II remained an enduring theme. Less celebratory and certainly less colourful were the spate of books published to mark the 90th anniversary of the armistice that ended World War I. We Will Not Fight: The Untold Story of the First World War's Conscientious Objectors by Will Ellsworth-Jones gave a history of the abuse suffered by pacifists and the societal pressures that led many underage youths and unfit individuals to enlist.

A strong contender for the award was Julie Kavanagh's Rudolf Nureyev , based on 10 years of research. In her biography of this earlier Russian dancer who enthralled the West, Judith Mackrell brings to life Lopokova's chilly reception among Bloomsbury intellectuals, her stint as a vaudevillian in the U. On the more popular front, best-selling writer Ian Rankin, having wrapped up his hugely popular Rebus series about a Scottish detective, produced his first post-Rebus novel, Doors Open. This galloping art-heist novel enjoyed universal acclaim.

Kate Atkinson, a former Whitbread Book of the Year winner, likewise delighted reviewers with her shift away from playful yet acerbic domestic sagas to crime writing. Publishing in installments each weekday over 20 weeks, McCall Smith invited readers to send him feedback on his odd characters and how the plot might develop.

With the global credit crunch, publishers rushed to bring out books on the financial market. Ferguson charted the history of money from ancient times, but his account of the financial meltdown was marred by its hasty last-minute analysis. The financial crisis also gave rise to the publication of cookbooks aimed at the cash-strapped: U. A recent trend of science books designed to answer little questions was superseded by another thriving genre: the great sweeping panorama, linking scientific phenomena to history and human activity.

Science writers showed themselves masters of the art of scientific storytelling, bringing difficult concepts within the range of ordinary readers. This was very much in evidence in the short list for the Royal Society Prizes for Science Books. In Coral : A Pessimist in Paradise , Steve Jones took the reader on a journey into the history of coral via subjects as diverse as naturalist Charles Darwin, painter Paul Gauguin in Tahiti, atomic bomb testing, and Roman poet Ovid.

His unfolding of Carrington's struggles with the scientific community showed the importance of personalities and life events in determining the course of scientific inquiry. The winner of the Royal Society's General Award was science writer Mark Lynas, who looked back to warmer periods in the Earth's history to predict what higher average temperatures might mean to human civilization in the future. The best of children's and teenage fiction confronted difficult issues in a way that did not patronize.

The winner of the Carnegie Medal was likely to please year-old boys with an appetite for gore, but it also dealt with issues of truth. Here Lies Arthur by Philip Reeve is a refashioning of the Arthurian legend, stripping it of its knights and Round Table and making its hero a brutish local tyrant who spends his time pillaging and stirring up boundary disputes. The reality of his thuggish character, however, is obscured by Myrddin, an old bard who uses storytelling and conjuring tricks to weave around Arthur the atmosphere of legend.

Renaissance Woman: Collected Art and Poetry of Erin Lale by Erin Lale

In , the year of the unending U. Some literary good news came in the form of Peter Matthiessen's huge novel Shadow Country, a one-volume reworking of a trilogy he published in the s. Shadow Country took place in the early 20th century on the southern Florida frontier, in all of its watery, mythological, and intense psychological glory. Watson, an Everglades farmer and outlaw; the character is large enough and dangerous enough to fill Matthiessen's nearly page novel.

Lifelong Pacific Northwest resident Ursula K. Le Guin looked back to the legend of the founding of Rome for the materials of Lavinia , her critically well-received new novel. I remember every word because they are the fabric of my life, the warp I am woven on. History played a role in a number of other admirable novels. Expatriate writer Jerome Charyn went back to American colonial times for his raucous story of soldiers, spies, and bawds in Johnny One-Eye, a pitch-perfect rendering of the Revolutionary War period.

Nicholas Delbanco chose New England and Europe for his setting of a story from the same period in The Count of Concord, a novel about Benjamin Thompson, the brilliant American Tory whose scientific discoveries were largely unsung. In The Plague of Doves, Louise Erdrich took up the matter of a social atrocity out of the early history of the upper Midwest.

Curtis, Pacific Northwest photographer of the American Indian.

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Polymath: Collected Nonfiction of Erin Lale

Adultery lies at the romantic centre of Russell Banks's beautifully made novel The Reserve, which was set in the s and etched in a stylized fashion that recalled the best of F. Scott Fitzgerald. An adulterous affair in the middle of a presidential primary campaign trips up one of the major characters in Ethan Canin's engaging novel America , America , which was published on the cusp of the general election.

John Edgar Wideman brought out Fanon , an experimental novel about one of the founders of the postcolonial perspective. In his short novel Peace , Richard Bausch beautifully carved out a resonant moment on the U. Part of the present time is the raucous, ribald charm of The English Major, Jim Harrison's new novel about a something Midwesterner, a schoolteacher turned farmer who, after his marriage crumbles, sets out on the road ready for any adventures that come his way. Also closer to home was Charles Baxter's novel The Soul Thief, which dealt with questions of family and identity.

Joseph Olshan, in The Conversion, which was set among gay American expatriates in Europe, added the question of art and aesthetics to the mix. Paul Auster, in Man in the Dark, played with questions of illusion and reality in a brooding surmise of a contemporary American's life during the period of the Iraq War. Famous Suicides of the Japanese Empire, poet and essayist David Mura's first novel, took up the question of family life under the shadow of the internment camps for Japanese Americans during World War II.

Novelist and futurist James Howard Kunstler published World Made by Hand, a subtle, low-key, and enormously persuasive portrait of an early 21st-century United States that suffers a series of terrorist attacks and the cutoff of foreign oil. The distinguished Library of America added another Philip Roth volume to its series—Roth was the first living writer in the series—and brought out huge compilations of the work of William Maxwell including a number of full-dress novels, story collections, and the luminous short novel about a Midwestern murder So Long , See You Tomorrow and Katherine Anne Porter represented by pages of her short fiction and another pages of essays and reviews.

American short-story writers helped to make a fine year. Lost in Uttar Pradesh, Evan S. Connell's new and selected stories, led the pack in depth of vision and exquisite prose. The highly regarded short-story writer Jhumpa Lahiri signed in with Unaccustomed Earth, a set of beautifully developed long stories about South Asians in the United States. Frank Bidart stepped away from narrative poems to a more lyric tone in Watching the Spring Festival.

Jane Shore got playful in a serious way—or was it the reverse? Will Buffalo sink under all that snow? Pulitzer Prize winner Michael Chabon published Maps and Legends, a collection of offbeat essays that ranged through themes of writing and reading. James D. Dreaming Up America showed off Russell Banks's estimation of the history of the American imagination.

In The Writer as Migrant prizewinning novelist Ha Jin took up the question of literary exile and the displaced writer's relation to narrative language. This year saw the posthumous publication of William Styron's engaging personal essays under the title Havanas in Camelot. One of the most highly regarded literary critical works of the year was poet Stanley Plumly's Posthumous Keats.

Wilder and Jackson R. Bryer, arrived in the second half of the year. Fradkin showed off a highly regarded late 20th-century writer in a broad context. Novelist Les Standiford deployed his narrative skills in Washington Burning. Buckley, Jr. Buckley, William Frank, Jr. Among the other losses to American letters were those of S.

Hamrick who wrote as W. Estrangement was a common theme of Canadian novelists in Rawi Hage's Cockroach portrayed society's outcasts as they endure the indignities of immigrant life; similar experiences were depicted by Austin Clarke in More , a tale of an immigrant woman who mourns her alienation from her gangster son. In Rivka Galchen's Atmospheric Disturbances, a character's disturbed mind ponders its condition with a skewed sense of humour.

The aboriginal experience formed the backdrop both to Joseph Boyden's Giller Prize-winning Through Black Spruce and to David Bergen's The Retreat, a complicated tale of relations between and among white women and aboriginal men. Strange families provided material for many novelists. A family of a different sort, a woman and her niece and nephew, take to the road in search of the children's father in The Flying Troutmans by Miriam Toews. In Neil Bissoondath's The Soul of All Great Designs, two families rise up in equal and opposite alarm when their children begin dating. The Cellist of Sarajevo by Steven Galloway was based on the true story of the brave man who played his cello in the public square every day.

Helen Humphrey's sixth novel, Coventry , traced the difficult search for one's bearings in a world at war. Daccia Bloomfield's Dora Borealis delved below the surface of Toronto's insular art scene to reveal what it means to be pursued by a dream. In Paul Quarrington's semicomic, semiautobiographical novel The Ravine, a writer squanders his talents through drink and knavery, yet he somehow survives to write the tale; and four disparate people in an assisted-living retirement home in Joan Barfoot's Exit Lines face the question of whether to support the suicide of one of them.

Short stories ranged widely. Kunal Basu's collection The Japanese Wife wandered from student demonstrations in China's Tiananmen Square to funeral rites on the Ganges; The Cult of Quick Repair was Dede Crane's artful denial of the quick fix in stories of flagrant sinners and their seedy fates; and Sarah Steinberg's We Could Be like That Couple was peopled with characters who perpetually look elsewhere than their own lives for fulfillment. Anthony De Sa's Barnacle Love captured the immigrant experience through linked stories about a father and his son; in contrast, Pasha Malla took a different tack with a bizarre interplay of styles, voices, vices, and taboos in The Withdrawal Method.

In Rohinton Mistry's story The Scream —issued by itself in a special illustrated edition—a dying man, who is confined to a Mumbai Bombay apartment, rails against the ending of his life. Poetry addressed a variety of situations. A number of works were written in a lighter vein.


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  • These included Robert Priest's Reading the Bible Backwards, an innovative reverse engineering of the Bible and other cultural narratives; Weyman Chan's Noise from the Laundry, a breathtaking romp of wit, wisdom, and linguistic acrobatics; and Karen Houle's During , which marked the flux of events through disjointed abstract syntax and vocabulary, at once lyrical and cerebral. The prodigious and diverse output of new books in from sub-Saharan Africa, Australia, and New Zealand was highlighted by outstanding literary works from both established and emerging authors.

    In Africa writers from Nigeria and South Africa dominated in offering critically acclaimed and commercially successful new releases. Veteran Nigerian novelist Chukwuemeka Ike joined a distinguished pantheon of other African writers to receive the prestigious Fonlon-Nichols Award. Nigeria also celebrated—with much of the rest of the world—the 50th anniversary of the first publication of favourite son Chinua Achebe's classic work Things Fall Apart , the best-selling novel of all time by an African. Nigerian Sade Adeniran drew praise as the recipient of the Commonwealth Writers' Prize CWP for best first book African region for her novel Imagine This , a story based on the journal of Lola Ogunwole, which chronicled her life from age nine to adulthood.

    Athol Fugard, arguably South Africa's finest living playwright, produced Coming Home, which was scheduled to have its world stage premiere in early Among the recipients were Opportunity by Charlotte Grimshaw, for fiction; Cold Snack by Janet Charman, for poetry; and The Blue by Mary McCallum, in the categories of best first book and readers' choice.

    Maori literature received much-deserved promotion in the West when Patricia Grace was named the latest winner of the Neustadt International Prize for Literature. Tim Winton, brought out his ninth novel to date, Breath , which, like so much of his fiction, drew heavily from landscape and place, especially coastal Western Australia. Sydney-born author and first-time novelist Steve Toltz demonstrated great promise and delighted readers and critics alike with A Fraction of the Whole, which was short-listed for the Man Booker Prize.

    Four years earlier Tellkamp had won the Ingeborg Bachmann Prize for the best emerging author in the German language on the basis of the same novel, which was at the time still a work in progress. Since then Tellkamp's novel had been eagerly awaited, and it appeared to widespread critical acclaim. Tellkamp himself—somewhat like his protagonist, Christian Hoffmann—had grown up in Dresden as a doctor's son with literary ambitions, served in the East German National People's Army, and actually spent a short time in jail in the fall of because as a soldier he refused to go into action against East German protesters.

    Whether the kind of literary education and elitism represented by the tower society would be able to survive the collapse of the social and political system it opposed was one of the novel's major themes. Another celebrated young author of the former East Germany, Ingo Schulze, also published a novel about the collapse of the former Eastern bloc: Adam und Evelyn. Adam is an East German tailor who often becomes erotically involved with his female clients; for this reason his girlfriend Evelyn decides to travel to Hungary without him.

    Adam follows her there and, because Hungary then opens its borders to the West, ultimately winds up with Evelyn in Munich. The novel alludes to the biblical story of Adam and Eve and their banishment from paradise, with the implication that the fall of the Berlin Wall ultimately banished the citizens of the East German state from a not-so-paradisiacal protective cocoon. In Turkish-born Feridun Zaimoglu's novel Liebesbrand, the protagonist, Richard, has a car accident in Turkey and is saved by a young German woman.

    He falls in love with her, but she quickly disappears from his life. Zaimoglu used his novel to explore the potential or lack of potential for real love in contemporary society. Similar concerns appeared in Iris Hanika's Treffen sich zwei, in which two lonely people suddenly find each other; but how long their love will last remains an open question. Sherko Fatah's Das dunkle Schiff was the story of a young man born in Iraq who becomes involved with a group of violent jihadists but manages to find refuge in Germany; his past, however, follows him to his new home.

    Dietmar Dath's novel Die Abschaffung der Arten dealt with the potential for ecological catastrophe in the contemporary world. It was set in an uncertain future in which human beings no longer rule the world and animals have taken control, and its protagonist is a lion. A number of important works by older authors were issued in The second volume of Grass's autobiography, which centred on Grass's family and his literary works, proved much less controversial. The year-old Siegfried Lenz, meanwhile, published Schweigeminute, a novel about a love affair between a female high school teacher and a male student.

    Martin Walser's novel Ein liebender Mann also featured age differences, but in this case the older person was Goethe, who at age 73 fell in love with and proposed marriage to a year-old woman named Ulrike von Levetzow. Walser's novel revealed how personal disappointments could result in literary triumphs. The most important literary event of in France was the awarding of the Nobel Prize for Literature to J. See Nobel Prizes. They flee the Nazis, arriving in Nice, where his mother sheds her last childish illusions as she discovers the truth of hunger.

    This blending of autobiography with historical fiction, known in France as autofiction, was by far the year's most prevalent trend. In Jeudi saint Jean-Marie Borzeix was his own main character. While researching a Nazi massacre in his native village, he stumbles upon the existence of a previously unknown Jewish victim, and he launches a frenetic search to discover that person's identity. He also told, through the haze of memory, of his brother's suicide and of his own beginnings in Parisian literary circles.

    Loneliness was also a major theme of the year's fictional works. Catherine Cusset's Un Brillant Avenir portrayed the slow crumbling of promise in one woman's life as she passes from orphaned child whose future seems boundless to her adoptive parents, to girl in love, to activist wife, to petty mother-in-law, and finally to sad woman on the verge of widowhood. Christian Oster treated the theme of loneliness from the male perspective in Trois hommes seuls, in which a man must visit his ex-wife in Corsica but is loath to go alone.

    Having no friends, he asks two acquaintances to accompany him on the ride. Because they barely know each other, the three men stumble awkwardly upon all the wrong questions to reveal the deeply fearful solitude of their existence. Another important theme of the year's literature was human duality. He set two mythological figures as fundamental oppositions of the psyche: Orpheus , whose music is rational, social , ordered , and paternal , against Butes the Argonaut who dived headfirst and almost drowned trying to reach the Sirens , who represents an ecstatic, solitary , and destructive longing for return to the sound-filled oneness of the maternal womb.

    Soon after, however, the plague strikes the village, and the rational scholar watches as the intellectual advances of his beloved Renaissance are swept away in the return of terrified irrationality, witch hunts, and religious insanity in the face of death. There an Islamic Algerian boy has been adopted into the Christian culture of the French colonizers.

    Treated with love and kindness, he finds beauty in a people most of his countrymen regard as oppressors, but at the same time, fights to retain his father's culture as his privileged comfort among the colonizers contrasts with the misery of his native people. World Literary Prizes The biggest news on the literary scene during the year was not the work of one author but that of a group: the writers and artists who were able to make culture a page-one story during the Canadian federal election. Government cultural funding rarely emerged as an issue, but they brought it to the fore and kept the ruling Conservative Party from winning a majority by depriving it of seats in French Canada, where such issues were tied in with issues of identity.

    On the purely literary front, Jacques Poulin picked up the Prix Gilles-Corbeil, given for his entire body of work. True to form, the very reserved Poulin did not appear in person. Popular writer Monique Proulx was short-listed for several prizes but came up empty. Her novel Champagne , however, about a group of characters living on a Laurentian lake, was a success among readers. The prolific Tremblay had been turning out a new book every year. There was some room for younger writers as well. On the other end of the age spectrum, Lino finished his graphic novel trilogy with La Chambre de l'oubli, an urban dystopia.

    In an example of solidarity, the writing community awarded Roger Des Roches the Prix Chasse-Spleen for his book of poems Dixhuitjuilletdeuxmillequatre, a work other writers considered worthy of attention. The literary event of the year was the surprising success of Paolo Giordano's La solitudine dei numeri primi, winner both of the Campiello Prize for a first novel and of the Strega Prize. The protagonists of the story were compared to a prime pair—prime numbers that are separated by only one even number—near each other yet always apart.

    The author was a year-old researcher in the field of theoretical physics, and his arrival on the Italian literary scene brought a welcome new perspective. The novel was especially remarkable for its description of the complex thought processes of its male protagonist: a mathematician, scarred by a traumatic childhood experience, whose difficulty in dealing with human relationships bordered on the pathological. The novel was inspired by the restoration of the Sistine Chapel and reflected the amazement visitors felt at the sight of the original brilliance of Michelangelo's frescoes, newly delivered to the public after centuries of dust and alterations.

    The central scene of the novel depicts Michele as he is lost in the contemplation of the artwork but also afraid to direct his glance toward Christ's head, the detail that could unveil the mystery of his Japanese friend. Un cappello pieno di ciliege, Oriana Fallaci's posthumous work, was preceded by an intense publicity campaign and met with predictable success. Fallaci — , an international journalist and best-selling author who spurred controversy for her public contempt of Islam following the Sept. Maria Rosa Cutrufelli's novel D'amore e d'odio also proposed a long chronological span, from to , but adopted a different narrative strategy.

    Delina, the Italo-Albanian protagonist of the final segment, is a photographer who has just witnessed the plight of clandestine immigrants and found it strikingly similar to her childhood memories. It was also the title of Eraldo Affinati's book about his experiences as a teacher in that community. The author's journey to Morocco with two of his students leads to an interrogation on his role as a teacher and on the meaning of being a father. Elvira Seminara's L'indecenza focused on the havoc caused by the arrival of a Ukrainian caretaker in the life of a Sicilian couple.

    The presence of the young foreigner brings to the fore the contradictions in the couple's ostensibly flawless daily routine and a secret tragedy in their life. This novel was one of the first to reflect on a new phenomenon in Italian culture—i. In her portrayal of Ludmila, the Ukrainian badante of her novel, Seminara masterfully explored the uncanny combination of distance and intimacy that the role entails.

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    The enduring success of Roberto Saviano's Gomorra , which forced the young author to live in hiding and under police protection, inspired several books on the city of Naples, such as Francesco Durante's Scuorno and Andrej Longo's Dieci The 10 stories in Longo's collection were a paradoxical reflection on the Ten Commandments, which are systematically perverted under the dire social conditions depicted by the author. The same Mediterranean Sea that played such a prominent role in Ramondino's work was also responsible for her death: she drowned just before her last novel, La via, appeared in bookstores.

    Chaos, fear, and secrecy were characteristic themes in the novels published in Spain in In the tragicomic Instrucciones para salvar el mundo, Rosa Montero reflected on senselessness and hope. A mixture of historical novel, detective novel, hagiography, and parody, El asombroso viaje de Pomponio Flato by Eduardo Mendoza was both his most unusual and one of his funniest books. The novel was a unique view of a city as a biography, narrated as a walk that encounters corners, lies, escapes, and opportunities. Spain's richest literary prize, the Planeta Prize, was awarded to La hermandad de la buena suerte, a detective novel by writer and philosopher Fernando Savater.

    The book told the story of a rich man who hires mercenaries to look for someone who has disappeared. The book described the search for Inca emperor Atahualpa's treasure and for the lost city of Vilcabamba after the Jesuits were expelled from Spain. Detective novels were popular in Balas de plata denounced corruption in an original, impeccable style; as a manuscript titled Quien quiere vivir para siempre, it had won the Premio Tusquets Editores de Novela.

    In this crime novel the woman who acts as a detective is involved in a love triangle. The novel offered a thorough psychological analysis of the Argentine middle class. At the end of , Chilean writer Roberto Brodsky published Bosque quemado, in which the topic of state terrorism was treated in conjunction with the themes of exile and return. Guerrilla wars and intergenerational family problems were the focus of Una familia honorable by Guatemalan Rafael Cuevas Molina. Ronald Flores of Guatemala searched for the origins of violence and religious conflicts in the 18th century.

    In this novel dreamlike and real aspects of the Indians' world are seen as present and overlapping. The main character relives or dreams other lives, which appear one on top of the other in a tale in which space and time are juggled with humour and sarcasm. Several works mixed autobiography and fiction. In his posthumously published novel La ninfa inconstante, Guillermo Cabrera Infante reminisced about the prerevolutionary Havana of his youth, and he depicted in detail the city's nightlife, streets, music, movies, and characters—all the obsessions already present in his two previous novels.

    In this historical setting, a mature film critic falls in love with a year-old Havana-born Lolita. Cabrera Infante's great literary talent was again evident in the constant linguistic play that earned him the devotion of his readers. In a similar way, Carlos Fuentes's obsessions reappeared in La voluntad y la fortuna, a title intended as an homage to Machiavelli, whose political philosophy pervades the book.

    In a famous passage from The Prince, Machiavelli asserts that fortune can and must be mastered by will. This long novel encompassed earlier parts of Fuentes's story and a big part of Mexico's history, in particular the violence in daily life, drug trafficking, political corruption, and intractable problems that caused recurrent fratricidal fights. In El boxeador polaco, Guatemalan Eduardo Halfon evoked the story of his grandfather, who was interred at the Nazi extermination camp in Auschwitz. The novel took on the literary world, portraying the writers as at times coarse and irresponsible.

    The work also incorporated the discovery of Pinochet in London, his return to Chile, and his death. The short-story prize of the Association of Portuguese Writers was awarded to Angolan author Ondjaki, the most international of current young Lusophone African writers, for his book Os da minha rua Among the works of this prolific novelist, poet, children's storyteller, and documentarian were Bom dia, camaradas and O assobiador , published in English in as Good Morning , Comrades and The Whistler, respectively.

    Saramago's worldwide success Ensaio sobre a cegueira ; Blindness, was adapted to film by acclaimed Brazilian director Fernando Meirelles. Earlier 20th-century history was revisited in D. Carlos , Rui Ramos's acclaimed and timely biography of King Carlos I, who was assassinated in Lisbon in ; the regicide was commemorated throughout The major highlight of the literary year was the marking of the centenary of the death of Brazil's world-renowned novelist Joaquim Maria Machado de Assis — Major colloquia and exhibitions in his honour were organized throughout Brazil and internationally.

    Miguel Sanches Neto published A primeira mulher, a police thriller about a professor's midlife crisis. Among the new theatrical works was Leopoldina—cartas e relatos, a montage of letters written by the Brazilian Empress Maria Leopoldina, mother of Dom Pedro II, at the time of Brazilian declaration of independence from Portugal in Several new, contradictory, and at times surprising trends were noticeable in Russian literature in The short list for the Russian Booker Prize bore clear witness to this.

    Most of these novels were written in a style similar to magic realism, which only a few years earlier had been associated in Russia with popular literature. And then I started seeing the New York Dolls10 perform and I started meeting people in the music scene. The Magic Tramps are pretty obscure. So you graduated and got more seriously into music. Did you manage to avoid ever getting a real job? I never had a real job! I painted a bathroom with Bill Tapley, who is still a working artist, very into color theory.

    He was a great teacher. Stein occasionally played guitar for the group. The video stuff was really heavy, kind of insane. I guess I did it for fun. But that was probably in the mix. The question I always get is: How aware was I of the significance of what I was recording? There were a couple of moments that were over the top, and I recognized the historical implications a little bit. Like when Blondie did an appearance in London at a record store and the traffic stopped and thousands of kids showed up. Mostly, I was just in the moment.

    While looking for you on Instagram,13 I could see that Blondie-mania is going strong. People would love to see the video you shot! Yeah, we get a lot of love as the elder statesman. With Instagram, did that feel like an easy thing, to go totally digital and to use this new platform? Bill was all about color effects, gradations and complementary colors and stuff like that. So the bathroom was really bright orange and the rest of the place was blue.

    Poem Project - "Not" by Erin Hansen

    Looking though your two books, it seems like you must have always had a camera with you. Yeah, you know, fi lm is like vinyl. Digital stuff is so much easier to deal with, for photography especially. So I love Instagram. There are so many great street photographers posting there. Another guy named Matt Weber. I think your street photography might be a surprise to some people.

    See a Problem?

    But I love how all the material is united by the storytelling element. It makes it so much richer to have the text recollections, in your own voice, accompanying the images. All of the photos trigger memories. They wanted someone who was crankier. It was really nice talking to you. This conversation has been condensed and edited. Yeah, I know. My grandparents were Jewish, but, you know, secular, socialist.

    Yeah, my parents, same thing. I went to the same school as Woody Allen. He went to Midwood High School. Getting back to your photography, I wanted to ask how it worked for you to have this equipment and to shoot on tour. I think touring can be exhausting socially, meeting people all the time. I imagine it might be easier to have something to do—like take pictures. She regularly contributes to Artforum and The New Yorker. Singer and guitarist Verlaine went on to play solo and with artists like Patti Smith see page 7 ; bassist Hell went on to front other noted acts and publish a number of works of poetry and prose.

    Every release can be fairly described as deluxe, with CD and colored vinyl formats and plus-page companion books produced. Aqualamb releases can be found in select record stores in New York City and online at aqualamb. Earlier Ready, a. Gallery S. Through Haus of Altr, he releases his music and other projects, including skate videos made with friends on the Lower East Side.

    Inspired by image-based graffiti and textiles, the pattern paintings feature varied objects that are selected, repeated and arranged seemingly at random. Usually, they are drawn out in spray paint and then colored in with heavily watered-down yet vibrant acrylics. This was her fi rst shot at Mickey and Minnie, though, and she neither hid her newness to the subject nor modified her typically fast, irreverent approach. On the mural, the characters looked proudly off-brand— misshapen and slightly seedy.

    This was, for her, a long time. I never feel like I have enough paintings. At that time, she was anticipating the end of construction on her new storage, exhibition and work space in a 17,square-foot former car dealership in St. Louis, Missouri, where she grew up and her parents still live. A model of the building on a nearby table showed a large room for some, but not all, of the backlog of work she has generated over her year career, which then occupied, among other places, the rear of her Flatbush studio and several Bronx storage units.

    There would also be a lofted living space and an exhibition area big enough to fit XXL Superflat Pancake, a huge mural she made in for an installation at the Contemporary Art Museum St. Eventually, she hopes to add a swimming pool. Against one wall of her studio was an enormous, in-progress pattern painting. In various shades of spray paint she had outlined several MetroCards, Nike swoosh symbols and cups of soft serve from Cha Cha Matcha, a tea and ice cream shop with locations in Manhattan and. At one point, she dug through her purse to show off her lifetime supply card, given in appreciation of her portrayals of the brand.

    On the opposite wall was another enormous painting, this one finished and featuring cigarettes, Xanax pills and Scotch tape dispensers. On the floor was another enormous painting, finished earlier that morning and drying under the breeze of two box fans. This one had cigarettes, Newport cigarette packs and Cha Cha Matcha soft serve.

    Looking at the canvas on her studio floor, she pointed out the puddles and drips of the stillwet acrylic, and one area in particular where a color had bloomed into the field of another. She went on to study at the School of the Art Institute of Chicago, and at a landscape-painting exchange program in Italy, where she learned various traditional techniques. But through it all, in her telling, she remained largely self-educated, picking up her direction outside of.

    Bernhardt in her Brooklyn studio, a former car detailing shop in the Flatbush neighborhood. Photo by Jeremy Cohen. As a student she interned at the Team gallery, in the Lower East Side, which added her to their roster after she graduated. In , she began showing at Canada, which recently relocated from the Lower East Side to Tribeca, and which still represents her. Earlier in her career, Bernhardt primarily made deliberately messy, brusque paintings of models and celebrities, based on photographs that she found in fashion magazines.

    She later made paintings of Swatch watches, and of the Moroccan rugs that she imports and sells as a sporadic, wholly unnecessary side business that she calls Magic Flying Carpets. Then, as now, she was remarkably productive. Then, as now, her heedless execution was sometimes read—incorrectly, she has insisted—as a negative commentary on her subject matter.

    Rather, the speed with which her work is made evinces her love for the work. Bernhardt paints fast so that she can move on to her next painting. She is obsessed with Moroccan rugs, which fill her home and are piled high in the front of her studio. Louis, obsessed with Cha Cha Matcha. If she is obsessed with something, she will collect it, or paint it, or collect it and paint it. With the pattern paintings, her criteria for imagery is a bit looser.

    Any new item added to that iconography— a partial inventory includes emoji; tropical birds, fish, fruit and plants; bottles of Windex or Coca-Cola; rolls of toilet paper; Mr. Do the colors or shape of the object appeal to her? They just make stuff. Moreover, various designers and brands have come calling for collaborations, raising her profile beyond art-world circles. And coming soon: T-shirts for Nike and streetwear label Clot.

    Toward the end of our conversation, I asked Bernhardt if she could recall any unfavorable reactions to her work. Yes, she said, when she was at SVA. Price based on installation area; visit maharam. Art is big business, and as the reputation of painter Katherine Bernhardt MFA Fine Arts grows, so too does the selection of Bernhardt-related products. Here are a few of the many collaborations and collectibles that have been rolled out to date. Also from and also sold out : these Bernhardt-inspired scarves and clutches from designer Maria Brito, part of a series of collaborations with three women artists.

    Photos by Kaitlyn Stubbs. A widely reported Mellon Institute study found that more than 80 percent of leadership positions at American museums are held by white, non-Hispanic people, though they only claim about a 61 percent share of the overall U. Since , in addition to her own art practice, Rodriguez has run community-partnership programming at MoMA in an effort to make the institution more inclusive.

    As an Afro—Puerto Rican teen growing up in the South Bronx in the s, her introduction to art was through graffiti, an element of the burgeoning hip-hop culture around her. The high school that I went to sort of shoved me into. In , with the help of her girlfriend at the time, she enrolled in the evening illustration program at SVA.

    But the tuition was costly and after two years, she took a year break. She has exhibited and lectured on her work frequently since then, and is currently working on a permanent public sculpture commissioned by New York City, to be installed in the Bronx in Having taken the longer path, Rodriguez now wants to provide an art education for those with a similar background. Everyone receives a portfolio, a large drawing board, a spiral sketch pad, newsprint paper, a sketchpad for homework and a pouch with an eraser and a pencil.

    The first 30 minutes of each session consists of. They also study color theory, make value scales and write poetry. One moving moment of the course, Rodriguez recalls, was when a student invoked mental-health struggles through a performance piece. Rodriguez had asked the students to act out their day from am on. At one point he gets up, goes to the bathroom, goes back to the bed.


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    • Rodriguez also invites guest instructors. Last fall, the final class was a portfolio review led by Shani. Regardless, she is confident that the experience has enriched the lives and work of those who have taken part so far. The cohort has kept in touch and even started an art collective, called H. Hearing Our Obstacles Differentiated. They also have exclusive access to museum galleries. Tell us about your projects, exhibitions and accomplishments sva. Having a nurturing place to live is essential to the success of any student.

      Gnosis Diary: Life as a Heathen

      And in New York City, finding good, affordable housing for anyone—let alone young artists—is a challenge. With this in mind, the Alumni Society established in the Housing Scholarship Fund, so that an incoming first-year undergraduate from the New York metro area with limited finances could live on campus for all four years of their studies. The scholarship would provide a welcoming home and the opportunity to fully participate in the SVA experience with classmates and friends.

      What began modestly with five member companies has grown exponentially to include 21 committed organizations that are now part of the extended SVA community see page Because of their generosity, as of last year the Alumni Society has been able to annually provide two new incoming students with fouryear Housing Scholarships.

      It has relieved an immense financial burden and opened my world to new possibilities. The award has undoubtedly made my experience at SVA one I cherish and take full advantage of. When I received the award, I was overwhelmed with positive emotions for days.